It was now whitening, hissing, and seething like an enormous cauldron. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. “You’ve got my view,” he said, after a pensive second. He folded the garments carefully and replaced them on the chair.
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