CHAPTER THE FOURTH THE CRISIS Part 1 We left Miss Stanley with Ann Veronica’s fancy dress in her hands and her eyes directed to Ann Veronica’s pseudo-Turkish slippers. “It’s funny, the way a good house feels. "No, Sir, it's quite possible—more than possible. ” “Oh, okay. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She was clad in fresh linen, but still wore the riding-habit she had appropriated, having sponged out the spots of blood late last night and left it to dry in the kitchens. Her teeth were chattering so hard that she had to clench them for fear of biting off her own tongue.
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