She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. “You seem to be taking our little joke more seriously than it deserves, Ferringhall,” he remarked. Rows of roasted duck, brilliantly varnished; luscious vegetables, which she had been warned against; baskets of melon seed and water-chestnuts; men working in teak and blackwood; fan makers and jade cutters; eggs preserved in what appeared to her as petrified muck; bird's nests and shark fins. ‘You’re either mad, or in love.
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