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Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. He bent to her hand, and she slipped off the ring and gave it to him to examine. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. “But I must, I will,” he answered fiercely. She understood. I love him!" She was weak and dizzy: from horror as much as from physical exertion. “Then we must try and make London endurable for you,” he remarked cheerfully. Michelle's home was one of the smaller palaces, made solidly of red brick with charming black shutters and window boxes full of drooping violets.
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