Prudence was the substance and Angelina the shadow; for Angelina never offered opinions, she only agreed with those advanced by Prudence. She was dressed in one of those complicated dresses that are all lace and work and confused patternings of black and purple and cream about the body, and she was in many ways a younger feminine version of the same theme as himself. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded.
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