On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. I often think of those delightful evenings in Paris. The struggles of the wounded man were desperate—so desperate, that in his agony he overset the table, and, in the confusion, tore off the cloth, and disclosed a face horribly mutilated, and streaming with blood.
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