The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. I am really in earnest. He could have easily forced it, but preferred a more expeditious mode of reaching the roof which suggested itself to him. "We're all damaged—we've all got broken pates," cried a dozen voices.
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