On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. She moved towards it slowly and picked it up, holding it out in front of her whilst the familiar perfume seemed to assert itself with damning insistence. “Very much as usual,” said Ramage. He left that arid rule clear of the least mist of refinement or delicacy.
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