Under her feet lay intricate mosaics, and each warm hall was festooned in tapestries. She did not so much deal with Ann Veronica’s interpolations as dispose of them with quick and use-hardened repartee, and then she went on with a fine directness to sketch the case for her agitation, for that remarkable rebellion of the women that was then agitating the whole world of politics and discussion. It was not a cambric curtain Ruth had drawn across that part of her life: it was of iron.
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